b. 1982, Spain

working across installation, sculpture, and drawing to weave together narrative, science fiction, and ecological speculation, Aparicio explores the complex entanglements between bodies, environments, and systems of care.

B. 1996, Colombia

By translating hair gestures into textile fibres, Barvo creates soft-sculpture installations that weave together personal memory, cultural heritage, and material research, prompting reflection on the visceral, cultural, and sociopolitical significance of hair.

b. 1991, United Kingdom

Working across a multi-disciplinary language of textiles, painting, sculpture and print, Booth’s practice explores the emotional capacity of material objects to embody intergenerational memory across time and space.

b. United Kingdom

Working with living sculpture and installation, Duckworth’s practice centres on the afterlife of the discarded. She works with plants, live matter, and textile to address urgent social and environmental issues.

Founded in 2023, Germany

DANCÆ is a Berlin-based dance collective that fuses classical ballet, performance, installation, and spatial design to bridge the gap between high art and club culture. 

b. New Zeland

Hazard's large scale paintings explore surreal, paradoxical narratives through the anthropomorphisation of natural forms. Fragmenting and distorting familiar environments, the works reflect the uncanny tensions of belonging, extraction, identity and our pursuits through aesthetic experience.

B. 1979, United Kingdom

Lewandowska’s expanded practice explores intricate connections between nature and human existence, informed by holistic and somatic practices. She works with film, food, installation, music, painting, performance, and photography, and may take the form of a retreat, a ritual or an offering.

b. 1995, Russia

Lukina utilises computer graphics, laser-cut wood, metal, and mosaic to create multilayered reliefs that explore complex yet transformative psychological and emotional states.

B. 1989, Israel

Working with a distinctive sgraffito technique developed through experimentation with cold wax encaustic paint, Merin’s archaeological process reveals hidden layers of anthropomorphic figures that navigate the limbo between desire and oppression, birth and decay.

B. France

A multidisciplinary artist who creates immersive olfactory experiences, Misia’O blends scent with sound, film, and visual media to build emotionally-charged atmospheres and visceral environments.

B. 1970, UNITED KINGDOM

NORRIS Explores personal and cultural memory via fragmentary aesthetics that centre around concepts of connectedness. Her work communicates through the language of the ‘body’, and investigates the complex and entangled relationships between humans and other living beings.

B. 1993, Luxembourg

Through a multidisciplinary lens anchored in bodily expression, Françoise plays with and questions the human form by pushing her physical and mental range of motion. She works to challenge the linearity of human existence - desiring to give body to the formless in a world of form.

B. 1990, United Kingdom

Working primarily in sculpture, Pinnock’s practice extends across drawing, painting, and installation. Drawn to uncanny material pairings and idiosyncratic hand processes, her works are a form of notation—at once performance and private archive.

b. 1985, Russia

Osipova’s practice encompasses immersive, poetic yet visceral works that move between real and fictional worlds using sound, installation, photography, video, and sculpture, blurring the lines between physical and digital realms.

b. 1997, USA

Wynne-Ronson transforms material intuition and bodily references into objects that dissolve the boundaries between art and design, creating uncanny yet accessible work that reimagines our relationship with the tangible.